TC Electronic Music 6000 MKII is tailor made for music production in all forms. Regardless of whether you're tracking and need to setup a bit of subtle comfort reverb for the performer, or have reached the mixing stage, Music 6000 delivers all of your favorite tools and effects.
You can even keep an eye on your loudness level at all times with the LM6 Loudness Radar Meter, which is particularly important if your content is meant for broadcast.
In other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed all the tools relevant for music production so the system is ready to perform right out of the box.
Music 6000 gives you no less than 18 pristine, multichannel and stereo reverbs plus the M5000 state-of-the-art delay, chorus and phaser effects as well as hundreds of presets. For dynamics processing, the acclaimed MD3 and MD4 multiband compressors as well as Brickwall Limiter 2 have you covered. Also included is Matrix 88, a digital 8-channel summing mixer, offering upsampled limiting, 48 bit summing, accurate delays and bit transparency. On top of this, you get the famous LM6 Loudness Radar Meter and the unmatched, sweet MDW HiRes EQ developed strictly to the personal specifications of the legendary George Massenburg.
The hardware platform of Music 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.
Music 6000 Tools
Music 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs.
On top of that, you get a lot of additional algorithms that are invaluable in music production, including pristine Stereo Mastering tools, the LM Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs.
VSS™ 4HD:
Highly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.
VSS™ 3:
What you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.
NonLin2:
Envelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.
DVR2:
Generic Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.
ReflectorLCR:
An extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.
Reverb-2:
Reverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.
Reverb-3:
Classic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.
Delay 1:
24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.
Delay 2:
Delay with filtered feedback control. Now you can modulate delays with full control over the relative L/R phase to emulate chorus or tape delay perfectly.
Core-2:
Great effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.
Phaser:
A Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.
Chorus:
High-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.
MD4:
Advanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.
MD3:
This high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.
Brickwall Limiter 2:
The ultimate True-peak protection of your signal without sacrificing loudness. This processor was designed to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.
Matrix 88:
Digital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.
LM6:
Complete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.
MDW HiRes EQ:
There can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.
VariPitch8:
High-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.
Toolbox 5.1:
Support your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.